Det Norske Teatret (the Norwegian Theatre) in Oslo houses three stages in its main building in vibey downtown Oslo, plus one more in another venue in the city run by the same team, all of which work on a busy repertory schedule. Together at least 25 original and cutting-edge productions are created annually, in the Norwegian language of Nynorsk, and some guest works are hosted.
Copenhagen’s Bellevue Theatre asked lighting designer Mark P Jones to create a practical and versatile lighting scheme to facilitate their recent touring version of “A Column of Fire”, a musical production based on Ken Follet’s gripping work encapsulating politics, passion, religious divisions and other 16th-century melodrama of the moment. It was initially staged at the theatre in 2019, directed by Mads M Nielsen with set designed by Benjamin la Cour and lit by Mikael Sylvest.
Twenty of Robe’s new FORTE moving lights are a key feature of a new lighting design by Maxime Chotard for “Mousquetaire de Richelieu” (Richelieu’s Musketeer), one of the flagship shows at Puy du Fou, a historical theme park in Les Epesses in the Pays de la Loire region of Western France.
The world’s largest cruise ship, Royal Caribbean International’s Wonder of the Seas – built at Chantiers de l'Atlantique shipyard in Saint-Nazaire, France – will have four Robe RoboSpot systems installed in its 1600-seat capacity Main Theater and two more in Studio B, which is the iconic Royal Caribbean ice rink.
De Vooruit in Ghent, Belgium is an award-winning and historically significant festival and arts centre – originally built for the Flemish labour movement between 1911 and 1914 – as well as an interesting and eye-catching building containing multiple halls now mainly used for concerts, club nights, live performances and assorted cultural events.
Club After Dark is a vibrant new “Dinner Drag Decadence” supper club / cabaret concept, created by legendary Swedish drag artist and performer Christer Lindarw, a colourful, fun-fuelled extravaganza of music and dance directed and choreographed by Hans Marklund, with music directed by Kent Olsson who is also a co-creator of the show together with Christer and Hans.
Schouwburg is the municipal Theatre in Kortrijk in the West Flanders region of Belgium, and is located right at the heart of this attractive city in Schouwburgplein (Theatre Square). Flanked by several historic buildings, it offers two stage spaces, an 800-seater main hall and a smaller 120 capacity space that is scheduled for a complete rebuild over the next two years.
Robe T1 Profile LED luminaires have been installed at the 1700 capacity Capitole Theatre in Ghent, Belgium, where they are deployed on the front lighting bridge for key lighting and specials, replacing the previous tungsten fixtures. The T1 Profile investment was part of a drive to update the remaining elements of the house lighting system to LED, making it better, more contemporary and more sustainable.
Theater Aan de Parade in Den Bosh, Netherlands, has been closed for a complete refurbishment since August 2020 and will be reopened again in 2023. During this time (Covid regulations notwithstanding) the venue has planned to stage productions in eight venues in and around the city including Hall 8 of the city’s Brabanthallen exhibition centre, which has 860 seats and is the largest of the temporary venues.
The first Robe FORTES in Norway were delivered to Den National Scene (the National Theatre) in Bergen, one of the country’s oldest permanent theatres, where they joined Robe ESPRITES that were another recent investment.
The grace and fluidity of dancer’s movements were enhanced by an equally elegant lightshow designed by Koen De Clerck for “Cogétama” a special choreographed ballet work created and produced by Glen Lambrecht Productions, commissioned by the Municipality of Aalter. It was staged at the City Hall Auditorium of Aalter in Belgium and played 12 completely sold-out performances.
The UK panto season is back with a BIG bang after waiting in the wings during 2020 as the country squared up to Covid-19, reigniting all things panto like slapstick comedy, toilet-brow innuendo, gawdy sets, psychedelic vibrance and total craziness for which it’s known and appreciated, with lighting designers around the country delighted to be back working on this peculiarly English and highly expressive genre of performance.
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