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4.5.2021

Robe T2 Profiles Make No Noiz for West Australian Ballet Shows

The first Robe T2 Profiles to arrive in Australia were snapped up by Perth-based lighting and visual rental and production company What Noiz and made their debut on the lighting rig designed by Matt Marshall for West Australian Ballet’s compelling “As One: Ballet at the Quarry”.

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Events
Robe Gets Fired Up for BravoCon Live Event

17.4.2026

Robe Gets Fired Up for BravoCon Live Event

BravoCon Live with Andy Cohen is a supersized, five-episode televised event in the spirit of Andy’s nightly talk show WWHL (Watch What Happens Live). The show is a joyous, upbeat celebration of the world of Bravo’s most popular reality shows and series, featuring the stars and celebrities (Bravolebrities) who make them rock.

Events
Robe iFORTES for Telstra Leadership Conference

15.4.2026

Robe iFORTES for Telstra Leadership Conference

Australian technical and event production specialist Harry the Hirer Productions used all 80 of their new Robe iFORTE moving lights on a major leadership conference for Telstra – Australia’s largest telecommunications and technology company – staged in the Grand Pavilion of the Melbourne Showgrounds.

Investment
Das Theater De Leest investiert in 230 ROBE-Scheinwerfer

10.4.2026

Das Theater De Leest investiert in 230 ROBE-Scheinwerfer

Das Theater De Leest in Waalwijk hat seine Bühnenbeleuchtung umfassend modernisiert. Im Mittelpunkt steht eine Investition in 230 statische und bewegte LED-Scheinwerfer von ROBE, die in beiden Veranstaltungssälen des Hauses eingesetzt werden. Damit ersetzt das Theater teils noch aus der Eröffnungszeit stammende Bestandsgeräte und stellt die Beleuchtung technisch wie energetisch neu auf.

Investment
Endla Theatre Re-Energises with Robe

2.4.2026

Endla Theatre Re-Energises with Robe

Endla Theatre in Pärnu, Estonia, has reinvested in Robe LED products across its two performance halls as part of a wider conversion to LED lighting, related to the Estonian “Green Turn” initiative. This has seen 16 of the country’s major theatres – a mix of local government and private performing arts institutions – convert lighting stock from tungsten-halogen to LED over the last 12 months.

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